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胡里安（阿尔维托·圣胡安 Alberto San Juan 饰）为了解决经济问题，选择通过手机软件当起了拼车司机。在这个过程中，他经常接到乘客罗蕾娜（布兰卡·苏亚雷斯 Blanca Suárez 饰）的订单，两人在往返于毕尔巴鄂和马德里的路上，逐渐建立了深厚的感情。尽管年龄相差较大，但他们在路上无话不谈，胡里安也逐渐对罗蕾娜产生了好感。 然而，当胡里安决定在拼车路上向罗蕾娜表白时，却被另外两位乘客的到来打破了计划。这两位乘客分别是爱吹牛皮的商务话痨男罗德里歌和喜欢音乐旅行的嬉皮士男孩卡洛斯。在一系列的事件中，包括超市大打出手、高速车祸、夜宿洗浴中心等，胡里安逐渐觉得自己可能对罗蕾娜并不了解，而罗蕾娜与其他拼车男士的互动也让他感到愤怒。在一次高速公路上的大塞车中，胡里安在罗德里歌的劝说下决定追回去，勇敢地面对罗蕾娜。尽管在一系列的闹剧中遭遇了不少困难和...。As the Otto family ushers in a new era, Katie and Greg make the emotional decision to sell the family minivan| Daniel suffers a setback that forces him to rethink how to accomplish his goals.。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。