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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。濃密な会話劇を描いた自主アニメーション「伝える」が劇場公開もされた沼田友監督の商業デビュー作。空港近くのある街を舞台に、人生の岐路に立った人々がそれぞれの道を進んでいく姿を描いたオムニバスショートアニメ。会話や音楽に集中できるよう動きを省略した紙芝居風な演出で描かれた「レシピ」「トランジスタ・スマートフォン」「夏祭り」「Clover」の4話で構成。2016年1月にTOKYO MXの「ウルトラスーパーアニメタイム」枠で放送。同年3月25日のDVD発売を記念し、4月に「伝える」を公開した下北沢トリウッドでレイトショー。。