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黄大仙本乃金龟托世，千多年前，因不忍凡间受苦，擅作拯救，被黄母娘娘贬下凡间。大仙投胎农户之家，名黄初平，替刘家管羊。平与侍婢小兰感情要好，却被少爷针对，观音暗助。观音向平报梦，平遂向赤松观大师求道，获赠经修练。一别数年，平修为大进。大师临终前指点平日后去向，平决独自云游四海以救苦难，与兰诀别。平以大仙身份到处赠医施药，声名远播。王小二好赌成性，欲将妻子卖到妓寨，得大仙化解。天将不满大仙妄自施法，得观音平息。村民受毒水所困，大仙发现玄通道士竟假扮自己以敛财，二人斗法，玄通不敌，村民更感大仙功德。大仙故乡遭逢旱灾，大仙与村民一起求雨不果。原来此乃上天意旨，大仙向仙人求教，即以自身之血化雨挽救灾民，终能成仙。。In this bitingly satirical film Peter Slovan, a continuous source of trouble for the film functionaries of the socialist Slovakia, tackles an evergreen topic – the corruptive effects of power. Barnabáš Kos, a triangle player at a symphonic orchestra, is suddenly promoted to serve as the head of the said institution, even though both he and his superiors deem him completely unfit for the task. Encouraged in equal parts by this unexpected recognition and the servile praise of his colleagues, Kos’s modesty starts to gradually vanish. The erstwhile bashful and aloof percussionist quickly becomes aware of the advantages of his new office, and begins to realise his increasingly ludicrous artistic ambitions. Ultimately, the submissive marionette turns into a source of public humiliation, and his astonishing career finds an abrupt end. Orchestra serves here as a microcosm that grotesquely reflects the absurd and tragicomic mechanisms of the paranoid apparatus of power. Digitised in 4K and restored in 2K, based on the 35mm camera negative, by the National Film Archive of the Slovak Film Institute. The original film elements are preserved by the National Film Archive of the Slovak Film Institute. Eva Näripe。